born in 1980 in Germany
Photography since 2004
Stereophotography (3D) since 2015
Working with lenticular technology since 2017
self-taught
Through my work, I seek to expand the boundaries of human perception and offer a glimpse into another world. I am driven by a desire to make the invisible visible. In many of my pieces, I blend photography and painting into a single creative process. My images bring together space and time, light and color. I paint with brushes of light in three dimensions, capturing the moment through photography- Inviting the viewer to explore what lies beyond the visible.
a brief overview of my work
in the beginning:
The AQUA series is a collection of images centered around the element of water. In the early stages, the series captured its calm, harmonious side — but over time, my focus shifted toward water’s raw energy, its untamed movement, its wild, almost chaotic beauty.
Most of the photographs were created between 2004 and 2011, but the series is still evolving. Water continues to fascinate me, and I look forward to exploring its many faces through new perspectives and techniques in the years to come.
The AERO series evolved naturally from AQUA as its direct successor. It moves into a higher level of abstraction, offering greater room for personal interpretation. Some works are powerful, dynamic, and vibrant; others carry a dystopian atmosphere and a touch of melancholy.
At its core, the series is an expression of freedom.
MARS – An ongoing exploration of the self — the tension between body and soul, the struggle against inner and outer resistance.
In 2010, I started a personal project: one self-portrait every day. Each day brought new ideas, new techniques, new challenges. With the birth of my second child approaching that summer, I used the time to teach myself photography and experiment creatively. The daily discipline demanded focus, problem-solving, and constant invention under pressure. After six months, both time and creative energy were drained.
Lost. Strayed. Burned out.
At that point, I chose to withdraw from public life, to pause, reflect, and wait for the right moment to return. I needed to rediscover a balance — between personal life, business, and art — while standing on the edge of complete physical and mental collapse.
That collapse came in 2015, triggered by another serious illness. From then on, I dedicated my energy almost entirely to my artistic work, exploring new techniques and pushing boundaries. The period from 2015 to 2017 laid the technical foundation for everything that followed: multiple exposures, body painting with fluorescent colors, working with all kinds of light sources, light painting, stereoscopic photography, and eventually lenticular technology using a multi-camera system.
